Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
Linda Hogan

Listening to a Deeper Way
Topic: Life Beyond Death & the Spirit World
Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or heart coming from. the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body. Another time, there was the booming voice of an ocean storm thundering from far out at sea, telling about what lived in the distance, about the rough water that would arrive, wave after wave revealing the disturbance at center.
“Tonight I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of stars in the sky, watched the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and of immensity above them.
“Walking, I can almost hear the redwoods beating. And the oceans are above me here, rolling clouds, heavy and dark, considering snow. On the dry, red road, I pass the place of the sunflower, that dark and secret location where creation took place. I wonder if it will return this summer, if it will multiply and move up to the other stand of flowers in a territorial struggle.
“It’s winter and there is smoke from the fires. The square, lighted windows of houses are fogging over. It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
Linda Hogan was born on July 16, 1947, in Denver, Colorado, United States, to Charles C. Henderson, a Chickasaw, and Cleona Florine Bower, of white descent. She earned her undergraduate degree from the University of Colorado Colorado Springs and completed a Master of Arts in English and Creative Writing at the University of Colorado Boulder.
A Chickasaw writer working across poetry, fiction, and nonfiction, Linda Hogan is known for exploring spiritual and ecological themes. Her books include Dwellings: A Spiritual History of the Living World, The Woman Who Watches Over the World: A Native Memoir, and, with Brenda Peterson, Sightings: The Mysterious Journey of the Gray Whale. She wrote the script for Everything Has a Spirit, a PBS documentary on American Indian Religious Freedom. Her novel Mean Spirit was a finalist for the Pulitzer Prize and won an Oklahoma Book Award.
Linda Hogan has served as faculty at the Indian Arts Institute, as Writer in Residence for the Chickasaw Nation, and is Professor Emerita at the University of Colorado. In 2007, she was inducted into the Chickasaw Nation Hall of Fame for her contributions to Indigenous literature. She continues to speak and write publicly, offering work that draws from both personal experience and collective memory.
Dwellings
Hogan, Linda. Dwellings: A Spiritual History of the Living World. Norton, 2007, [Linda Hogan, Chickasaw, Dwellings: A Spiritual History of the Living World].

Linda Hogan
Theme: Life Beyond Death
About This Linda Hogan Quotation [Commentary]
In Linda Hogan’s words, “Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands,” listening becomes a form of deep belonging. Her steps are not solitary. With each movement, she becomes aware of those who came before, whose presence offers not only comfort but instruction: to stop, to observe, to receive. This experience is not framed in symbolic terms—it is direct. “Suddenly all my ancestors are behind me.” Their presence is real, and the love that shaped her life remains active. In Hogan’s way of seeing, the boundary between past and present is porous. The path forward depends on stillness, attention, and the willingness to listen to what endures.
The wider passage frames this experience in a winter landscape: “It’s winter and there is smoke from the fires. The square, lighted windows of houses are fogging over.” The quiet season becomes one of “elemental attention,” where perception sharpens and things work together. In this setting, Hogan listens “to what speaks in the blood.” She names the land itself as sacred: “Whichever road I follow, I walk in the land of many gods, and they love and eat one another.” These are not distant deities but active presences within the world’s harsh and beautiful realities. Her way of walking becomes an act of attunement—not only to the land, but to the voices of the unseen. “Walking, I am listening to a deeper way.” This deeper way arises from the confluence of place, memory, and motion.
Read in the light of life beyond death, Hogan’s words are steady and clear. Her ancestors are not gone—they are behind her, instructing her to “Be still… Watch and listen.” Their love did not end with their lives. She is “the result of the love of thousands,” and that love is not abstract. It is embodied, it speaks through blood and memory, and it continues in motion. The quiet command she hears—be still, watch, listen—is not nostalgic but alive. In this listening, she enters a space where presence and ancestry meet.
Linda Hogan, Chickasaw
Dwellings: a Spiritual History of the Living World
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