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Like all music, the figured bass should have no other end and aim than the glory of God and the recreation of the soul…

Johann Sebastian Bach

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Like All Music

Topic: Creativity, Culture, & the Arts

Like all music, the figured bass should have no other end and aim than the glory of God and the recreation of the soul; where this is not kept in mind there is no true music…

Johann Sebastian Bach

Johann Sebastian Bach, born on March 21, 1685, in Eisenach, Germany, was a central figure in the Baroque period of music. His life's journey, marked by both personal challenges and professional achievements, began in a small town but would eventually have a lasting impact on the world of classical music. Bach's early exposure to music, largely due to his family's musical background, set the stage for his future as an organist and composer. Despite the loss of his parents at a young age, Bach's dedication to music remained unwavering, leading him to positions in Arnstadt, Mühlhausen, and Weimar. These early roles allowed him to refine his craft, particularly in organ playing and choral composition.

Bach's tenure as cantor at St. Thomas Church in Leipzig, a position he held from 1723 until his death on July 28, 1750, at the age of 65, was a period of significant productivity and creativity. During this time, he composed some of his most renowned works, including the "St. Matthew Passion" and the "Mass in B minor." His compositions, characterized by intricate counterpoint and harmonic innovation, were not only musical endeavors but also expressions of his deep religious faith. Bach himself saw music as a means of worship and spiritual reflection, famously remarking, "Where there is devotional music, God with his grace is always present." This perspective was evident in his approach to composition, which sought to combine technical skill with a sense of spiritual purpose.

Bach's contributions to music were not fully recognized until after his death, but today, he is acknowledged as a master of the Baroque style. His influence on the development of music is undeniable, with his works serving as both a foundation for future composers and a source of inspiration for musicians across genres. Bach's belief that "The final aim and reason of all music is nothing other than the glorification of God and the refreshment of the spirit" encapsulates his approach to music-making – one that was grounded in a combination of skill, devotion, and a desire to enrich the human spirit through art.

(1685-1750 ) Humanism, Arts and Sciences

Johann Sebastian Bach, Ludwig Prautzsch Bibel und Symbol in den Werken Bachs, p. 7

Johann Sebastian Bach


Theme: The Musical Arts

About This Johann Sebastian Bach Quotation [Commentary]

Johann Sebastian Bach’s assertion that “Like all music, the figured bass should have no other end and aim than the glory of God and the recreation of the soul…” captures the essence of his philosophical and spiritual approach to music. Bach’s perspective underscores the inherent connection between musical expression and spiritual devotion, a view deeply rooted in the Baroque era’s understanding of the arts. In this context, ‘figured bass’ – a musical notation system central to Baroque compositional practice – symbolizes the foundation of music. For Bach, music was not merely a form of artistic expression but a medium through which one could attain a higher spiritual purpose. His emphasis on glorifying God and refreshing the soul through music reflects a belief that the true value of music lies in its ability to elevate both the creator and the listener to a state of divine contemplation.

Bach’s viewpoint on music as a conduit for spiritual enrichment resonates profoundly with the broader theme of “The Musical Arts.” In the world of musical composition and performance, especially during the Baroque period, the interplay between technical skill and spiritual expression was vital. Bach’s music, renowned for its complex counterpoint and harmonic richness, was not just an exhibition of mastery over form; it was a manifestation of his deep religious convictions. The essence of Bach’s statement lies in the idea that music, devoid of a spiritual or soulful purpose, loses its true essence. This notion aligns with the broader understanding of music as an art form that transcends mere entertainment, serving instead as a pathway to spiritual and emotional rejuvenation.

In modern times, Bach’s philosophy invites reflection on the role and purpose of music in our lives. While the context of music has evolved, the core idea that music should serve a purpose beyond the superficial remains relevant. In an era where music often leans towards commercialization and entertainment, Bach’s words serve as a reminder of the transformative power of music. His belief that music should aim for “the glory of God and the refreshment of the soul” challenges contemporary musicians and listeners alike to reconsider the deeper implications of musical engagement. Whether one subscribes to a religious perspective or not, the underlying message is clear: music, at its best, is a powerful tool for emotional and spiritual upliftment, capable of transcending the mundane to touch something profound within the human spirit.

Albert Einstein’s Love of Mozart and Bach [Brief Commentary]

Einstein’s initial introduction to music through violin lessons at age six, encouraged by his pianist mother, began as a dutiful chore. Yet, at thirteen, his discovery of Mozart’s violin sonatas ignited a profound love for music. He described Mozart’s music as a “reflection of the inner beauty of the universe,” marking a pivotal moment where music evolved from an obligation to a passion deeply intertwined with his life’s work. His admiration for the clarity and structural beauty in the works of Mozart and Bach paralleled his quest for simplicity and harmony in his scientific theories, illustrating how his musical preferences reflected and influenced his scientific thought process. This connection between music and science in Einstein’s life highlights the depth and diversity of his intellectual and emotional landscape.
“First I improvise and if that doesn’t help, then I seek solace in Mozart; but when I’m improvising and it appears that something may come of it, I require the clear constructions of Bach in order to follow through.”

—Einstein, Albert. Explaining how he relaxes after work playing his violin, “Lina,” in his Berlin kitchen because of the room’s superior; quoted in Ehlers, Liebes Hertz! p.132.

Additional Bach Quotations

“Where there is devotional music, God with his grace is always present.”

—Johann Sebastian Bach.

“Music is an agreeable harmony for the honor of God and the permissible delights of the soul.”

—Johann Sebastian Bach.

“The final aim and reason of all music is nothing other than the glorification of God and the refreshment of the spirit.”

—Johann Sebastian Bach.

“The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.”

—Johann Sebastian Bach.

“Jesu, joy of man’s desiring,
Holy wisdom, love most bright;
Drawn by Thee, our souls aspiring
Soar to uncreated light.

Word of God, our flesh that fashioned,
With the fire of life impassioned,
Striving still to truth unknown,
Soaring, dying round Thy throne.

Through the way where hope is guiding,
Hark, what peaceful music rings;
Where the flock, in Thee confiding,
Drink of joy from deathless springs.

Theirs is beauty’s fairest pleasure;
Theirs is wisdom’s holiest treasure.
Thou dost ever lead Thine own
In the love of joys unknown.”

—Johann Sebastian Bach.